Visitors experiencing the Common Touch exhibition, May 2016.

Picture shows several visitors, including a young boy, touching and viewing the installations in the center and east wall of the gallery. In the far left is a large book under a clear, mylar hood in a display case. In the left is Jayne’s Gift #5, a map representation of the travels the 19th–century blind surveyor John Metcalf. It is a vertically-positioned, large rectangular table composed of a linen top and a light brown wood base. A multi-color grid, outlines of geometric shapes, and green porcelain geometric shapes adorn the linen top. In the center background, on the back wall painted off-white, is Jayne’s Gift #4, a visual transmutation after the musical work of blind African American musician Thomas Wiggins. It is three horizontal and three vertical rows of prints in a geometric interplay of greens, browns and yellows. [end of description]

Picture shows several visitors, including a young boy, touching and viewing the installations in the center and east wall of the gallery. In the far left is a large book under a clear, mylar hood in a display case. In the left is Jayne’s Gift #5, a map representation of the travels the 19th–century blind surveyor John Metcalf. It is a vertically-positioned, large rectangular table composed of a linen top and a light brown wood base. A multi-color grid, outlines of geometric shapes, and green porcelain geometric shapes adorn the linen top. In the center background, on the back wall painted off-white, is Jayne’s Gift #4, a visual transmutation after the musical work of blind African American musician Thomas Wiggins. It is three horizontal and three vertical rows of prints in a geometric interplay of greens, browns and yellows. [end of description]

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